For Charlie Goolsby, Friday’s opening of "The Music Man" at Theatre Lawrence will be his third time directing the musical, which he says brings him back to his childhood watching the American classics on late-night television.
Includes new folk series, diversity of other shows
Save for one yet-to-be announced Broadway hit — the title of which is promised to be revealed in July — the Lied Center at the University of Kansas has shared its 2017-18 season lineup of shows. Kicking off this season is a performance by singer and composer Lyle Lovett and His Large Band on July 27. Following shows include Kenny Rogers’s Final World Tour, Dirty Dancing, poetry, holiday favorites and a variety of dance forms.
For Amy Nystrom, the set of Theatre Lawrence’s production of Peter Pan — from the wallpapered nursery to the multilevel pirate ship — is its own kind of Neverland.
Think of it as “The Big Chill” for a new generation. That’s how Peter Zazzali, the director of KU Theatre’s upcoming production of “Pooter McGraw is Not Dead Party,” describes the coming-of-age tale set to open Friday at 7:3o p.m. at KU’s Crafton-Preyer Theatre, 1530 Naismith Drive.
Judy Locy Wright is more than familiar with “A Chorus Line,” the Pulitzer- and Tony-winning musical slated to open Theatre Lawrence’s 40th season Friday evening.
In his short (but by Elizabethan standards, fairly long) life, William Shakespeare authored — by himself or in collaborations — 38 plays, 154 sonnets and a handful of poems and other verses. But in death, the Bard has lived on, with hundreds or possibly thousands of works inspired by his genius being produced since, from Broadway classics like “West Side Story” to thoroughly modern teen flicks like “10 Things I Hate About You” and “She’s the Man.”
In Kansas Repertory Theatre’s upcoming season, opening Friday at Kansas University’s Murphy Hall, things aren’t always what they seem.
Years ago, long before the congressional debate over requiring women to register for the draft made headlines and sparked national debate earlier this summer, Dean Bevan was mulling over a more fundamental question.
A slice of 1940s New York City — complete with brassy dames, smooth-talking con men, dodgy alleyways and legally dicey dice games — arrives in Kansas this week. In Theatre Lawrence’s production of “Guys and Dolls,” opening Friday, the city is almost a supporting character to the big personalities who inhabit it, says director Jason Smith.
“Welcome to Arroyo’s,” which runs through Thursday at KU’s William Inge Memorial Theatre, is a thoroughly modern tale that deals in some pretty timeless themes — among them identity, loss and love. Penned by one-time Pulitzer Prize finalist Kristoffer Diaz, the urban coming-of-age tale follows a pair of siblings, Alejandro (Juan Gonzales) and Molly (Alejandra Villasante), in the aftermath of their mother’s death.
Most people familiar with “A Streetcar Named Desire,” says Piet Knetsch, are only familiar with just that — the name of the play itself, and not much else. Not much else, he says, beyond the now-famous scene in the 1951 film adaptation in which Marlon Brando, playing the brutish, broken Stanley Kowalski, yells out his wife’s name (“Stella!”) in a desperate plea for her forgiveness.
After a successful launch just over a year ago at the Des Moines Community Playhouse, Karen Schaeffer’s romantic comedy about a book club meeting gone awry is now slated to make its Kansas debut Friday at Theatre Lawrence, 4660 Bauer Farm Dr.
Play time: KU Theatre staging 'A Doll's House'; EMU Theatre performing one-acts with local ties at Percolator
The next few weeks — this weekend in particular — promise more than a few options for theater lovers in Lawrence. If you’re a recovering ...
Once every year for seven decades, a shadowy figure dressed in black paid tribute to Edgar Allan Poe by visiting the author’s grave in Baltimore. ...
“Johanna: Facing Forward” tells the extraordinary story of Johanna Orozco, who not only endured a sexual assault at the hands of her abusive ex-boyfriend but also a shattered jaw and disfigured face that she bravely refused to hide.
Expect plenty of decomposing eye sockets, severed limbs, and maybe even an undead doggie or two when the ninth annual Zombie Walk returns to wreak ...
“Detroit ‘67” is, without a doubt, a period piece. The stage of Kansas University’s William Inge Theatre has been transformed into a Vietnam-era basement in preparation for KU Theatre’s newest production, opening Friday at Murphy Hall.
The title of Theatre Lawrence’s newest production might sound a tad risqué, James Diemer admits, though “Hands On a Hardbody,” which opens its two-week run Friday, is anything but.
Tucked away in the alley behind the Lawrence Arts Center and identified from the outside by its green awnings, the short, squat little building at 913 Rhode Island St. is, on most days, an art gallery. But in recent weeks, the Lawrence Percolator’s already-compact 600-square-foot interior has been transformed into a small-town, 1970s-era five-and-dime store complete with an antique cash register and diner-esque chrome tables and chairs.By Joanna Hlavacek
Some of today’s most-discussed current events and social issues — including teen dating violence, riots and feminism — will play a prominent role in Kansas University Theatre’s upcoming season.